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Poetry and Repetition: Walt Whitman, Wallace Stevens, John Ashbery (Literary Criticism and Cultural Theory), by Krystyna Mazur
Ebook Free Poetry and Repetition: Walt Whitman, Wallace Stevens, John Ashbery (Literary Criticism and Cultural Theory), by Krystyna Mazur
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This book examines the function of repetition in the work of Walt Whitman, Wallace Stevens and John Ashbery. All three poets extensively employ and comment upon the effects of repetition, yet represent three distinct poetics, considerably removed from one another in stylistic and historical terms. At the same time, the three are engaged in a highly interesting relation to each other - a relation readers tend to explain in terms of repetition, by positing Whitman and Stevens as the two alternative 'beginnings' out of which Ashbery emerges. Krystyna Mazur analyses the work of the three poets to discern patterns that may operate across a relatively broad spectrum of examples, as well as to consider the variety of ways in which repetition can structure a poetic text.
- Sales Rank: #7022791 in Books
- Published on: 2014-07-19
- Released on: 2014-07-17
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .46" w x 5.98" l, .0 pounds
- Binding: Paperback
- 202 pages
About the Author
Krystyna Mazur received her Ph.D. from Cornell University in 1996. She currently teaches in the American Studies Center at Warsaw University.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Make your point already...
By A. Lincoln
I am a senior English major at the University of Vermont and at first I was surprised to think that that this book might be a bit over my head. I now see that Mazur is simply horrible at logically conveying her very complicated literary opinions. She also just might be too smart for her own good, but she should still be able to make a coherent point. Mazur continually runs the reader in circles with her overly complicated sentence structures and writing style, and worse, she never really makes concrete conclusions to follow her already incomplete theses.
Here is an appropriate analogy to put Krystyna Mazur in a nutshell: She is like that kid that sits in the front row of class, thinks he's super smart...and so he talks a lot. The first few days you listen to him, because it sounds somewhat good and seems to know what he's talking about. But then the more you listen, the more it becomes apparent that even though he has a seemingly impressive vocabulary, he never actually says anything meaningful. Then you begin to wonder if he is even using these words you've never heard correctly. Eventually it gets to the point where every time that kid speaks in class, I roll my eyes and try not to groan out loud.
Hope this helps.
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